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TALLAHSEE Winds welcomes the founder for February February Concert – Tallahasee Democrat

By james art No Comments #Durham
TALLAHSEE Winds welcomes the founder for February February Concert – Tallahasee Democrat

Joe McGlotlin
| Special to the Talahasi Democrat

Dr Bentley Shelahamer, who conceived and organized Tallahasee Winds in 1997, will join the current DRS leaders. Patrick Dunigan and David Plak while conducting the ensemble through a wide -ranging program in the FSU OPPERMAN Music Hall at 7:30 pm on Tuesday, February 11th. Admission is free.

If the title of the composer Vesuvius of the composer Frank Tihelli does not completely telegraph the nature of the work, his initial instruction to the musicians – “with fiery energy” – leaves no doubt. However, they ran photos, not eruption, but the fierce dances of the people living in the last days of the doomed Pompey.

None to put a low strip for himself, he ran, according to his words, the bakhanal more “explosive and fiery” than the other versions of this “passionate and wild” genre. Vesuvius will surely be an accent – who is not an energetic lava dance?

Kirkpatrick Fanfare, by Andrew Binessen, Jr., begins as a debauchery jig that can accompany the Irish step dancers, but is more. This selection is the musical equivalent of a gift box with packaging as pleasant and pleasant as the surprise. As he unfolds, the music throws clues for those who are, we will tell them, adapted to them. (To reveal more would spoil the carefully crafted Boissen disclosure.)

March to the Skeleton is the fourth movement of Hector Berlioz’s Symphonie Fantastique software. “Berlios imagines an” artist “who, in an alarmed opium, dreams of killing his lover and is about to be executed for his crime.

As we know that Berlioz’s figure is hallucinating and does not depict real performance, we are free to react with pleasure when the brass ensemble interrupts the gloomy cadet S

According to the author of the program, Jake Wallace, composer John Maki, wrote “Ghost objects” to pay tribute to Japanese culture that covers the concept that, over time, ordinary instruments and household sites acquire their spirits.

The first of the two movements, Wallace writes, examines these “phantasmagoric pseudo -creates” from the perspective of the homeowner who can experience “anxiety” and “anxiety” in his presence, despite their “mostly friendly intentions”. The second movement finds mischievous spirits participating in “Wonderful Dance.”

Spooks got rhythm! David Gillingham composes Rosa blooms as a tribute to Mara Rose, a long -respected music teacher at Fleming Island High School. The track finds a comfortable home in the Operman Music Hall; In recognition of the strong relationships of G -Ja Rose with FSU, Gillingham included the unmistakable hints of “Grenade and gold anthem”.

La Fiesta Brava, March in Spanish style, will introduce the audience to a promising young composer. Trystin Durant wrote the hike in 2024, when she was still a high school student in Butler Lake, Florida. His growing talent caught the attention of Shelahamer, among others.

Composer Omar Thomas set out to provide a different “taking” to the popular Shenandoa folklore tune. He decided to portray Shenandoa’s beautiful valley, as it would look like darkening clouds and approaching rainfall. The result, he writes, is a version that is “introspective”, at times “sinister” and “mental”.

Over time, leadership and expertise provided by a doctor. Shellahamer, Dunnigan and Plack, along with the support and physical resources of the FSU Music College, have given the elderly musicians to renew or continue their love to perform advanced music in a large group environment. Tallahassee Winds has been an attachment to the Tallahassee music scene for 27 years.

Table of Contents

If you go

What: TALLAHSSE Winds Concert

When: 7:30 pm Tuesday, February 11

Where: FSU OPPERMAN MUSICAL HALL

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