Jack White Rules New York

A few songs in his blazing set, Jack White He shouted from the scene, “This is New York I know!” As they packed on the ribs, the crowd of Irring Plaza cheered and clapped with the rocker. Just a few days ago, no one knew anything about this show, but the quick message and the instant sale allowed the kicks concert to be held on Monday night, February 10, in Manhattan.

Before the white, the openings of the opening model/actress came out in front of an early arrival room, which filled the small place much more than the show’s show. It consists of vocalist Cole Haden, guitarist Jack Wetmore, bassist Aaron Shapiro and drummer Ruben Radlaer, the outfit delivers his brand of sound, which can best be described as a fusion of post-punk and techno. Furiously bumping and knocking songs such as “Mosquito” and “Donkey Show” delivered this music vibration. Haden’s theatricality found him perform kicks with a tall leg and sing many songs deep in the crowd.

After a quick change from the best-dressed road roads in the business, White blown up from Patrick Killer (drums), Dominic Davis (bass) and Bobby Emet (Keys), with energy levels shooting the sky early like white tours behind their His most album his album focused on rock for years, There is no nameS After a revised sweet to loosen, Old Scratch Blues appeared with white and Emmet duels of guitar and keys before the tone shifted to the groove -based “Here’s how I feel”.

“Dead Leaves and Dirty Earth” included a crushing guitar and a lubricating drum structure from a closet that shook the Erving Plaza Foundation while the punk/funk of “This is rough for rats (if you ask)” was pumped with Davis Bass. Quickly immersion in “Walkin ‘Blues” with fiery picking and sliding work along with the head that bumps “Little Bird”, both fit into the Blues Rawk motif of the more tunes while “I Cut Like A Buffal” Find White mixing in more electric scratching on its six strings. While the group is tight, they follow the leader, with White’s six-string work being the clear star of the show.

White took a guitar breathing to deliver the dramatic “Why walk a dog?” Before it was struck “Love Insriveruptio, N”, which received a great reaction to the crowd. Supporting this vibration alive, White encouraged everyone to sing with Hoedown of Hotel Yorba, while a dynamic broadcast of Ball and a Biscuit wrapped the smoking kit with excellent guitar work and back from the group.

A surprised guest arrived for Encore when Scarlett White joined the Bass for Archbishop Harold Holmes while Davis raised a tambourine for the tingling tune that allowed Jack to break into his spoken word style. Lazaretto was the focus of the late show when Davis returned to the bass, and Emmett’s keyboard work became funky around drums and laser guitar lines. The group seemed to be looking for a different tune, building something before White pulled the plug and play the “Army of the Seven Nations”, for which the crowd broke out.

The unnamed tour continues to be reduced to the incredible White guitar playing and a strong song for zero -filler songs, as Barnstorming Band bombarded the audience with a high -octane rock and this quick -thrown night of I was found in fine shape.