Accompanying Movie Review – Santa Face Reporter

Whatever you do, don’t look at the trailer Satellite Before you see the movie. The word on the street is that the trailers give out the central twist of the new writer/director Drew Hancock, and so much of the fun comes from not knowing what the big moment is about. Assuming that you are blind, prepare for a provocative absorption of class policy, misogynia, technology and autonomy, which have diverged in the form of a type of horror/science fiction thriller placed in the not too distant future.

In SatelliteThe young and beautiful iris (Sophie Thatcher, Yellow jackets) Upset the lake disorder over the weekend with his boyfriend Josh and his friends. Said a boyfriend (Hunger Hack Quaid) at the beginning it looks like a sweetie, but the more we learn the iris, just wants to make it happy, the more he seems annoyed by her idle love and the more we hate him.

The same can be said to Josh’s friends, including Kat (Megan Suri) and Eli (What do we do in the shadows“Harvey Gilen, from whom it is nice to see a new type of performance) and Patrick (Lucas Gage), all of whom seem to be barely tolerating the iris for unknown reasons. As for the Russian billionaire who owns the remote lake and wanders in different countries of fear? Well, it is easy for barely tolerated. And then the murders begin, bringing into question ideas of free will, toxic love and machyvelism. Love, as we know, exists or produces? Should we suppress in the name of others? Even if we don’t, don’t we do this kind often? Who controls whom when it comes to relationships? Hancock examines these elements between gripping scenes of pursuit of cats and mice, moments of comic lightness and no small amount of spilled blood-and this really has to make his audience consider their own actions.

Thatcher dominates Satellite With some kind of twin to take on a character who is literally everything about love, but is pushed too far and robbed by her innocence. It becomes strangely pleasant after her character learns that there is no such thing as too far. Quaid Wows, as well as the role of Capital-F FuckBoi, and it seems that there is no depth to which it will not sink. This only makes the possible awakening of Iris even more satisfying-and heartbreaking.

Satellite It probably won’t hit the Oscar season (maybe writing), but it is still an important clock while focusing on the horrors of the world, along with the comprehensive nature of technology and our reading. If you don’t see a twist that comes, it’s even more good, even though there is much to enjoy, even if you already know. This is a speaker, for sure.

8

+Makes you think; Thatcher kills; fun and surprisingly funny

-Final act lull; seems to be tuned for an unnecessary extension

Violet Cinema, 97 min.