Review: The full Monty Wilmington Drama League – Broadwayworld

Wilmington’s Drama League did it again, delivering a production that has equal parts comedy that develops and deeply moving. The full Monty, with its mix of stormy humor, gentle moments and unforgettable finale, is not a small endeavor – but under the confident leadership of Liz Hazlet (with a duel the role of music director) the show shines as a triumphant celebration of sustainability, comrade and self -acceptance.

Jerry (Jason Tokarski) puts the scene of crying. He considers himself a loser in life. But he has a plan for his colleagues for their losses of steel luck. He hatches a wild plan to fulfill just one night just to make quick money. But beyond the scandalous premise, the full Monty is a story of dignity, friendship and overcoming personal uncertainties.

Every man has his own problems:

• Jerry: The charismatic but struggling leader of the group, determined to make money to maintain custody over his son.
• Dave (Sean Klein): Uncertain of his weight and his own value, but ultimately acquires confidence.
• Malcolm (Edward Angelini-Cuk): a shy and uncomfortable man who finds friendship and love through the group.
• Ethan (Robert Daton): An optimistic but somewhat confused gentleman with dreams of presenting himself as Donald O’Connor.
• Harold (Larry Denburg): A former brigadier who has financial problems from his wife, who learns to perceive his new reality.
• Noah/horse (Tommy Fisher Klein): He brings rhythm and funk in the group

The show opens with “Scrap”, a number that immediately sets the tone, showing the struggles of unemployed workers while mourning the loss of their former life. The ensemble delivers this with harsh authenticity, grounding the humor that follows in a reality that feels relevant and true. This is a strong beginning that makes the journey of the six central heroes even more captivating.

Choreographer Patrick Murray was challenged. In order to underestimate, none of the presented “full mounted” would be mistaken with Jean Kelly or Fred Astaire.

Few moments in the show get more laughter than Michael Jordan’s ball, in which Malcolm (played with sweet inconvenience) and Ethan try to teach Jerry how to dance by channeling the confidence of the NBA superstar. The choreography in this number is completely imperfect, which makes the audience root for these men even more so as they strain on something that resembles grace.

“You rule my world” creates an unexpected touching moment. The duo sung by George (Rebecca Galatin) and Vicky (Madi Huf), the initiate but worsening wives of two of the possible strippers. Their performances are warm, funny and filled with a real heart, which makes the audience feel the bets of history beyond only men.

Jeannette (Donna Doughherty) is a wise, no nonsense pianist who becomes an incredible mentor to the group. With a great presence on the stage, Doughherty cracks her one -lines with impeccable deadlines. Her “Jeannette Showbiz Number” she delivers a cheerful and self -aware respect for the ups and falls of the show business. With sharp, comedy texts and a va vine -style jazz tune, the number feels like a nod to the classic Broadway. This is an excellent moment of character, providing both swans and nostalgia and gives the audience a chance to enjoy the world of experienced entertainment. The humor and the heart of the song make it a memorable accent in an already dynamic show. This is a blurred accent, proving that you do not need to undress to take down the house.

As men approach their large indicators, energy is built in “goods”, a number that captures both their excitement and their vibrations at the last moment. The cast plays this perfectly, achieving a balance between nervousness and newly discovered confidence. At this point, the audience was fully invested in their trip, laughing with their mistakes as they cheered them for success.

And then, of course, there is the big finale, the number the audience was waiting for, (some with binoculars). “Play it.” The accumulation so far has been well fulfilled. The performers are fully committed to the moment, covering the final message of the self -acceptance show. The result is a perfect combination of comedy, excitement and true empowerment.

At the end of the night, it is clear that Wilmington’s Drama League not only presents a show – they create an experience that leaves the audience as entertaining and inspired.

Welcome to Wilmington Drama League

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