22 years before Landman, Billy Bob Thornton participated with Patrick SWAYZE and Charlize Theron in this box office flop – CBR

In 2002 the satirical comedy Waking up in Renault They hit the theaters, bringing together an impressive cast, including Billy Bob Thornton, Patrick Swayze and Charlize Theron. The movie’s premises – a comedy for travel, focused on two couples dealing with infidelity and complications of long -term relationships – had potential. But despite its star power and at first glance a promising storyline, the movie fell equal, becoming One of the most remarkable failures in the cashier of the yearS

What could be a comic study of family tension and personal growth, instead led to a blurry story that never knew if it was a satire or a slap. The uncomfortable humor and drama of the film left the audience rejected, failing to laugh and instead choose tired clichés and forced scripts. What had to be an acute comedy turned out to be a wasted opportunity.

Waking up in Renault takes his acting staff on cross -country trip

Waking up in Renault Following is the accidents of two couples – Loni Earl Dodd (Billy Bob Thornton), a car dealer from Little Rock, Arkansas and his wife Darlin (Natasha Richardson) and their friends Roy (Patrick Swayze) (Charlize Theron) Kirkendall. The group goes on a road trip to attend a Monster Truck rally in Renault, Nevada. But things are complicated when Loni and candy start an affair, forced to spend time with their unsuspecting partners.

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As they travel together in a new SUV, couples, once close friends, soon find their tested relationships. Roy and Candy are eager to start a family while Loni Earl and Darlin’s marriage lost their spark. The tension is installed when Darlin and Roy begin to face their partners about their suspicions, leading to misunderstandings, awkward moments and the type of comedy, which comes only from being caught together on the road.

Awakening in Renault has one of the most deriving endings of all time

After an hour and a half of awkward moments and misunderstandings, the audience expected some payment. Instead, they received a disappointingly undermined conclusion. Waking up in Renault It closes with a scene that should offer resolution or the lowest, acute comedy twist. Instead, she throws herself. Loni and Candy, once their affair is exposed, are left to face their partners at a time that must feel revealing. But instead,, The scene lingers in an uncomfortable silence, failing to push the characters forward or to provide meaningful resolutionS

The most striking part of the end is his refusal to engage. It annoys a dramatic confrontation between couples but eventually avoids any real depthS The film dances around the idea of ​​growth and change, but refuses to let its characters develop in some meaningful way. Instead of completing a note that gives an idea of ​​the future of relationships, the film withdraws, choosing an unsatisfactory conclusion. After spending so much time with these characters and watching them make more and more decisions, viewers expect a sense of closure. But the climax does not provide any of that. For a movie that seems to be playing in a comedy managed by characters, he misses the opportunity to give a satisfying conclusion to his messy storyline.

Waking up in Renault missed his satirical potential

Waking up in Renault He had all the ingredients for a spiritualized comedy for travel: cast, cast, an adventure with Cross and the promise of laughter. Still, he failed to deliver his comedy potential. This is a missed opportunity that feels more like a cumbersome obstacle than a well-executed comedyS

For a movie built on tensions between two couples dealing with infidelity and misunderstandings, a sharp, biting humor can be expected. Instead, she stays for tired clichés and predictable blunders. The chemistry between the leaders is lost in favor of a script that never knows if he is trying to be a satirical comment on marriage or just a movie trip. What could be a fun study of relationships in a crisis becomes a series of inconvenient moments that never land.

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Even worse, the reading of the movie of stereotypes, especially in its depiction of the southern working-class characters, grows more lazy than satirical. It is as if the movie is trying to mark a trophy control list without actually exploring any of them in a meaningful way. The result is a hollow depiction of the characters, which makes it difficult to invest in their comedy trip.

Waking up in Renault left the reputation of the main flop of the cashier

Despite his star cast, Waking up in Renault quickly faded into unknown after his releaseS The movie’s promise could not even be close to providing the appearance of the attractiveness of the audience, which would justify its production costs.

After his release in 2002, Waking up in Renault Struggles to find its foundation with both critics and the audience. He made his debut with some fanfare, and his performance at the cash register was very bad. The film has raised less than $ 1 million worldwide – a undermining figure, given that the star force is connected. For comparison, movies like Wedding planning or BlondeWho shared such a demographic and comedy tone of the audience were pulled into much larger numbers. Even given its modest budget, financial disappointment was indisputable.

Much of this failure comes down to the confused intentions of the movie. The audience did not know if they should laugh at the inconvenience of the characters, as in movies like Napoleon Dynamiteor sympathy for them. It was not absurd enough to be a farce, nor realistic to make a meaningful study of relationshipsS This lack of direction left cinema, excluded from the characters and uninterested in their circumstances. Even worse, it was that there was no real emotional hook in which to pull the viewers.

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Critics also did not rush to protect the film. He was met with mostly negative reviews, which noted his inability to achieve significant laughter. The comedy of the film was widely regarded as flat and uninhabited for the era, and its depiction of the southern working -class heroes has caused criticism for being lazy and clichéd. However, what really captured the fate of the movie was his marketing. The advertisement of the film suggested an eccentric, cheeky comedy, but the reality was far more uncomfortable and inconsistent. As a result, she could not attract the great audience she even needed. The audience, misled by marketing and undermined by the actual film, remained aside in the works.

Waking up in Renault There was everything that had to be a successful-terrible cast, a promising storyline and attractiveness of a Lampun-style national comedy. But in fact, it fell apart to almost every turn. The humor of the film relies on tired clichés and unhappy blunders, missing the opportunity to provide memorable comedy moments. His confusing prerequisite also left the audience uncertain whether to laugh or sympathize, which ultimately hurt his performance at the cashier. What could have been a humorous, heartfelt view of relationships in crisis, instead became a forgotten, uncomfortable mess. Marketing failed to match the reality of the film, leaving the audience feeling misled and ultimately disinterested. And despite its impressive cast, Waking up in Renault There is a forgotten entrance in the filmography of his stars.

Waking up in Renault

Issue

December 13, 2002

Implementation time

91 minutes

Director

Jordan Brady

Writers

Brant

Manufacturers

Ben Myron, Bob Weinstein, Dwight Joakak, Harvey Weinstein, Jeremy Kramer, Jonathan Gordon

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  Charlize Theron

  Candy Kirkendall

• 

  Natasha Richardson

  Darlin Dodd

• 

  Billy Bob Thornton

  Loni Earl Dodd

• 

  Patrick Swayze

  Roy Kirkendal